By Stewart Carter, Jeffery Kite-Powell
Revised and multiplied, A Performer’s consultant to 17th Century song is a finished reference consultant for college students musicians. The ebook comprises necessary fabric on vocal and choral track and elegance; instrumentation; functionality perform; ornamentation, tuning, temperament; meter and pace; basso continuo; dance; theatrical creation; and masses extra. the amount comprises new chapters at the violin, the violoncello and violone, and the trombone—as good as up-to-date and accelerated reference fabrics, web assets, and different newly to be had fabric. This hugely available guide will end up a welcome reference for any musician or singer drawn to traditionally trained performance.
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Additional resources for A Performer's Guide to Seventeenth-Century Music
Although one might occasionally apply “corrective” word accentuation, the overriding rhythmic vitality of the music seems to take precedence as a general rule over accentual matters of the text. This creates a typically Spanish dynamism between the words and the music. Conclusion The pan-European approach that has characterized many performance-practice surveys dealing with singing and the widespread availability of recordings in our own time have led to a regrettable homogenization of performance styles in present-day performances of seventeenth-century music.
They also understood the expressive parameters in amplitude and duration to convey meaning and feeling. With consonants voiced on a precise pitch, we can be virtually certain that subvocal “scooping” was not a general feature of French singing at this time. Both Mersenne and Bacilly describe a quality of the ideal singing voice that is related to harmonie, a certain quality of body or focus in the sound that was independent of the overall size of the voice. ”60 Because of the degree to which consonants were “sung” in the French school, proper pitch control was of great importance.
63. “Le Balancement que les Italiens appellent Tremolo produit l’effet du tremblant de l’Orgue. : 85. 64. “Le son file s’execute sure une note de longue durée, en continuant la voix sans qu’elle vacille aucunement. : 88. See also Sanford, Vocal Style: 231. 65. ” Mersenne, Harmonie universelle: 2:355. 66. thtml 67. ” Mersenne, Harmonie universelle: 2:357. 68. See, for example, Martini, Melopée. 69. “. . il est constant que les Voix Feminines auroient bien de l’avantage par dessus les Masculines, si celles-cy n’avoient plus de vigeur & de fermeté pour executer les traits du Chant, & plus de Talent pour exprimer les passions que les autres.