By Juliet Koprowska
Stable verbal exchange abilities are on the center of potent social paintings perform. This Third Edition allows scholars to advance a versatile and responsive method of speaking with the main susceptible humans in society. development at the luck of the former booklet, Juliet Koprowska appears to be like intimately in any respect ways to verbal exchange, paying specific awareness to youngsters, adults and households. The emphasis of this ebook isn't on any specific 'right means' to speak, yet extra the power of the coed to be pro-active and acutely aware in numerous events.
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Extra resources for Communication and interpersonal skills in social work
What difference would it make if: l You were a middle-aged woman and the service user a 14-year-old boy? l You were a white man and the service user a Muslim woman from Pakistan? l You knew the service user was depressed? A word on face-to-face contact. This is especially important for people with hearing impairments, both to take in non-verbal information and to lip read, if they do so; they may also need to sit nearer than a hearing person and use touch. For other people, reading faces is difficult.
The relationship was characterised by early misunderstandings which were never resolved. Clients felt criticised, ignored and made to feel like a child. Where the primary reason for contact was the provision of a practical service such as day care or child care, the discomfort engendered by the lack of interpersonal connection diminished the value of the practical help, leaving them feeling short-changed, unconvinced that the social worker had done their best for them, and with no confidence that they could be relied on.
Depressed people may try to conceal their feelings with smiles, but sadness remains visible in the eyes. If someone’s brow bears the signs of sadness in permanent wrinkles, this may tell you something about their life experience so far. Grief, or what Ekman calls agony, has the same features as sadness but the mouth is open and the eyebrows are raised in the centre to create furrows across the centre (not the whole width) of the forehead.